The English Reformation saw mass destruction of religious artwork, including stained glass, images, and icons, which I suggest was in part inspired by Cranmer’s ambiguously negative attitude towards images in Article XXII of the Articles of Religion. Although the Articles were a collaborative project between a wide variety of theological positions, I will refer to Cranmer’s viewpoint throughout this article due to his reformist influence. This essay will view the Articles as confessional, with the phrase ‘requiring all Our loving Subjects to continue in the uniform Profession thereof, and prohibiting the least difference from the said Articles’.[1] However, it is crucial to recognise the breadth within the Church of England,…